Precipitando - Berg / Janacek / Liszt
The recital draws the listener in from the first moments - beginning with the dark, brooding language of Alban's Berg's Piano Sonata Op. 1, shaped in the shadow of Schoenberg, and continuing into the nebulous regions of Janácek's impressionistic and near-contemporaneous In The Mists, finally emerging into the clear light of Liszt's immense - and immensely-influential - B minor Sonata. In fact both Berg and Janácek were inspired by Liszt.
As Dénes Várjon says, "It is always highly interesting to find connections between composers, and bridges between epochs in musical history. In the mirror of other composers and periods, I begin to see new dimensions of works which I have performed, and this is especially the case when I play pieces by Ferenc Liszt. Even more strongly, I see him as a main figure of the current of music history. There are certain works by him I need to play and explore again and again - most importantly, his B minor Sonata. For all its rich texture, its great structure and its length, there is not one single note which is not a most important part of the whole."
Dénes Várjon studied at the Ferenc Liszt Academy of Music in Budapest with, amongst others, composer György Kurtág. He is a regular guest at festivals including Edinburgh, Salzburg, Lucerne, Schleswig-Holstein, Venice, and the Marlboro Festival (USA). He is invited annually to András Schiff's and Heinz Holliger's Ittinger Konzerttage. He has performed with major orchestras such as The Camerata Salzburg, Academy of St. Martin in the Fields, Wiener Kammerorchester, Camerata Bern, Hungarian State Symphony Orchestra, the RSO Berlin, Scottish Chamber Orchestra, Chamber Orchestra of Europe, Gidon Kremer's Kremerata Baltica, and many others.
Personnel: Dénes Várjon (piano)
- Alban Berg: Sonata op. 1 (1907/1908, rev. 1920)
- Leos Janacek: V mlhách (In the mists) (1912), I. Andante
- II. Molto adagio
- III. Andantino
- IV. Presto
- Franz Liszt: Sonata in b-minor (1853)
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