Dohler & Dreyschock: Piano Concertos

The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Dohler?s Piano Concerto in A major and Dreyschock?s Salut a Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers. Dohler?s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock?s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation?and indeed throughout the piece there are allusions to several Beethoven works, notably the ?Appassionata? Sonata. Salut a Vienne is a lighthearted but highly effective showpiece. These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.