Intercontinental

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Cat No: 0215912MSW

Release Date: 25 February 2022

Label: MPS

Packaging Type: Jewel Case

No of Units: 1

Barcode: 4029759159124

Genres: Jazz

Release Date: 01 December 2017

Label: MPS

Packaging Type: Slip Sleeve (CD or Vinyl)

No of Units: 1

Barcode: 4029759098560

Genres: Jazz

Description
Reissue of a 1971 trio recording by guitar great Joe Pass, bassist Eberhard Weber and drummer Kenny Clare.
Joe Pass looks like somebody's uncle and plays guitar like nobody's business." So said New York Magazine about the man considered to be one of the greatest jazz guitarists of the 20th century. Pass's masterful melodic counterpoint and quicksilver improvisational style flow throughout "Intercontinental".
Since the American had a first-class bassist in Eberhard Weber at his side during his June 1970 MPS session in Germany's idyllic Black Forest, Pass could concentrate on playing the melody and the chords. Weber, who comes from Stuttgart, Germany, would soon develop his own electric bass, but at this point he was still playing the traditional acoustic contrabass. Third in the group was British drummer Kenny Clare. Pass chose the program for the recording, mixing standards with originals. It's amazing how such typical big band pieces as "Stompin' at the Savoy" and "Lil' Darlin'" sound in trio; Pass and company swing like they were Count Basie and his orchestra."

Description
Reissue of a 1971 trio recording by guitar great Joe Pass, bassist Eberhard Weber and drummer Kenny Clare.
"Joe Pass looks like somebody's uncle and plays guitar like nobody's business." So said New York Magazine about the man considered to be one of the greatest jazz guitarists of the 20th century. Pass's masterful melodic counterpoint and quicksilver improvisational style flow throughout 'Intercontinental'.
Since the American had a first-class bassist in Eberhard Weber at his side during his June 1970 MPS session in Germany's idyllic Black Forest, Pass could concentrate on playing the melody and the chords. Weber, who comes from Stuttgart, Germany, would soon develop his own electric bass, but at this point he was still playing the traditional acoustic contrabass. Third in the group was British drummer Kenny Clare. Pass chose the program for the recording, mixing standards with originals. It's amazing how such typical big band pieces as "Stompin' at the Savoy" and "Lil' Darlin'" sound in trio; Pass and company swing like they were Count Basie and his orchestra.
Tracklisting
Tracklisting