Please Note: Due to a Royal Mail Service Outage affecting all International/EU/USA packages, orders shipping outside the UK are currently heavily delayed.

THE HOME OF SPECIALIST MUSIC Supporting independent labels and artists from across the globe

Mother of God: Choral Music to the Virgin Mary

No of Discs:
Release Date:
Jewel Case
Catalog Number:
Mother of God: Choral Music to the Virgin Mary
Mother of God: Choral Music to the Virgin Mary


'Mother of God' Choral music to the Virgin Mary is the debut CD of Khoros, a choir formed in 2011 by Patrick Allies. In seeking a programme that would best demonstrate the choir's versatility, Patrick drew together music composed in honour of the Virgin Mary, particularly works that refer to or celebrate some of the many names by which she is known. Such a programme enabled the presentation of music from Plainsong and renaissance polyphony to contemporary and includes two premiere recordings.

Ben Rowarth's 'Regina caeli' (for SAT voices) and Libby Croad's 'To the Immaculate Heart of Mary' were commissioned for this disc, the latter of which is set from an anonymous 19th-century text published in Volume I of the Carelite Review of August 1892. The earliest music in the programme is the Solemn tone plainsong 'Salve Regina'. Hildegard of Bingen's own mesmerising, flowing plainsong in 'O viridissima virga' is sung by the women's voices. From Tudor England, Robert Parsons' setting of 'Ave Maria' concludes with an Amen of exquisite beauty, considered to be one of the finest passages of music composed in the 16th Century. The same 'Ave Maria' text is subtly combined with that of W B Yeats' poem 'The Mother of God' in the vivid and powerful 'Mater Dei' by Sarah Rimkus. The seven-part setting of 'Ego flos campi' by Jacobus Clemens non Papa is full of sumptuous choral counterpoint, and an equally sonorous effect is accomplished in the rich contemporary harmonies of Eva Ugalda's setting for men's voices of 'Ave maris stella'. Jan Sandström surrounds Michael Praetorius's 'Est ist ein Ros entsprungen' with clustered chords and creates an atmosphere of stillness around the wintry words. Orlande de Lassus' double-choir, eight-part 'Alma redemptoris mater' brings the programme, which also includes works by Taverner, Lobo, Padilla and Britten, to a musically thrilling conclusion.

The recording venue was the compact but resonant chapel of Downing College, Cambridge.


  1. Name
  2. Parsons: Ave Maria
  3. Rimkus: Mater Dei
  4. Tavener: Mother Of God, Here I Stand
  5. Rowarth: Regina Caeli
  6. Salve Regina (Solemn Tone)
  7. Lobo: Ave Regina Caelorum
  8. Croad: To The Immaculate Heart Of Mary
  9. Clemens non Papa: Ego Flos Campi
  10. Sandstrom: Es Ist Ein Ros Entsprungen
  11. Gutierrez de Padilla: Stabat Mater
  12. Hildegard von Bingen: O Viridissima Virga
  13. Britten: A Hymn To The Virgin
  14. Ugalde: Ave Maris Stella
  15. Lassus: Alma Redemptoris Mater A 8
In stock

Fast delivery & returns worldwide

In stock
Search engine powered by ElasticSuite